Mozart Requiem Bohm Rapidshare

Karl Bohm, Mozart. Label: Philips Format: Flac (image + cue) Cover: Yes. Wolfgang Amadeus Mozart (1756-1791) Requiem, KV.626 Symphony No.26 in E flat major, KV.184 Symphony No.32 in G major, KV.318. Requiem KV 626 - 1956 version I. Introitus: Requiem Aeternam II. Kyrie Eleison III.

My two personal faves, with Shaw and company holding down the number one slot, though only by a narrow margin (if only it was a better quality recording! It's quite murky but, from a performance perspective, it's never been outdone).Both of those are excellent. Arduino delphi serial communication port. Shaw is great but unfortunately his beautiful recordings on Telarc are somewhat marred by Atlanta Symphony Hall's lackluster acoustics.

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Mozart

Marriner is always good with Mozart and McNair is one of my favorite sopranos. However, neither one ranks as my all time favorite. As a few other members here had already mentioned, this one by Christie on Erato is the one I like best. It's a bit slow in tempi at times and not as consistent as the Shaw and Marriner, but when it does shine it shines brightly.

Requiem

The Recordare here is the most sublime, beautiful rendition of it I have yet to hear on disc. A bit sluggish? That trip to the afterlife takes till the end of the world in Bohm's readingSure! I'm madly in love with sluggish, stiff and serious German things. Now, I'm reminded by, how Heinrich Heine, in Die Romantische Schule, described Das Nibelungenlied to his French audience: its characters are like gothic cathedrals walking slowly and sluggishly, assembling to a clearing in the forest, monumental, immense, a bit comical. Then they proceed to chop each others heads off.

Notre Dame slowly heaves beside Chartres, raises a sword. CRUNCH CRUNCH CRUNCH. The heaving continues.

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